Which Nikon Lens Is Best For Night Photography? 30 Fun Facts

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30 Fun Facts Which Nikon Lens Is Best For Night Photography | Best Lens For Night Photography

• 13. Olympus M.ZUIKO DIGITAL ED 7-14mm 1:2.8 PRO A bright lens that gives MFT users a solid astro option Specifications Mount: Micro Four Thirds Full-frame compatible: No Autofocus: MSC autofocus system Stabiliser: No Diaphragm blades: 7 Max angle of view (diagonal): 114-75 degrees Dimensions (WxL): 79x106mm Weight: 534g Today’s Best Deals View at Amazon (opens in new tab) View at Amazon (opens in new tab) View at OM SYSTEM (opens in new tab) Reasons to buy + Excellent image quality + Weather-sealed construction Reasons to avoid - Quite pricey - Heavy for MFT - Source: Internet
• This manual-focus Samyang has an astro-friendly ‘effective’ focal length on crop-sensor cameras, ranging from 15-16mm on APS-C format bodies to 20mm on Micro Four Thirds. It’s available in many mount options, but only the Nikon fit has built-in electronics. This enables the aperture to be set from the camera. Compared with most prime lenses for crop-sensor cameras, this one is unusual in combining a wide viewing angle with a fairly fast f/2.8 aperture. - Source: Internet
• In our review, the lens achieved impressive results throughout our lab tests, delivering excellent sharpness even when used wide open. It’s well built too, with enough weather-sealing to handle the long nights it’ll spend outside while you’re busy shooting the stars. It’s on the expensive side for an MFT lens, and arguably on the heavy side too, but since you won’t be shooting handheld, the latter shouldn’t be too much of an issue. - Source: Internet
• We test lenses using both real world sample images and lab tests. Our lab tests are carried out scientifically in controlled conditions using the Imatest testing suite, which consists of custom charts and analysis software that measures resolution in line widths/picture height, a measurement widely used in lens and camera testing. We find the combination of lab and real-word testing works best, as each reveals different qualities and characteristics. - Source: Internet
• With its ultra-wide zoom range and fast, constant-aperture design, this Nikon FX-format lens was a world-first when it was launched back in 2008. It’s become something of a legend in its own lifetime, but struggles to retain its crown against new Sigma 14-24mm and Tamron 15-30mm pretenders to the throne. The Nikon matches the Sigma zoom lens for maximum viewing angle and is slightly wider than the Tamron. - Source: Internet
• At least this lens is also big on performance. When we reviewed the lens we found the image quality to be fabulous, with exceptional sharpness for such a fast-aperture lens with an ultra-wide viewing angle. Equally impressive are contrast, colour rendition, and the absence of spherical and lateral chromatic aberrations. There is very noticeable coma and astigmatism towards the corners of the image frame, but go down one stop and these virtually disappear, making overall image quality for astrophotography altogether excellent. - Source: Internet
• The 2x crop factor of Micro Four Thirds cameras can make it tricky to find a high-quality lens that’s wide enough for astrophotography – however, we really rate this Olympus lens, the M.ZUIKO DIGITAL ED 7-14mm 1:2.8 PRO. Mounted on an MFT body, it provides an equivalent focal range of 14-28mm, and thanks to its bright f/2.8 aperture that runs through the zoom range, is an excellent choice for astro work. - Source: Internet
• The lens is satisfying to operate, as we noted in our review. As a manual-focus lens, the focus ring has a smooth, precise operation and feels absolutely impeccable. A secondary ring enables you to lock the focus ring at any position. Another nice touch is that you can fine-tune the focus ring so that the distance scale is calibrated to your camera body. - Source: Internet
• 11. Sony FE 12-24mm f/2.8 G Master A stunning lens for astrophotography, but it comes at a price Specifications Mount: Sony FE Full-frame compatible: Yes Autofocus: Linear motor AF Stabiliser: No Diaphragm blades: 9 Max angle of view (diagonal): 122-84 degrees (Full-frame) Dimensions (WxL): 98x137mm Weight: 847g Today’s Best Deals View at Amazon (opens in new tab) View at Walmart (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Impressive image quality + Impeccable handling + Ultra-wide maximum viewing angle Reasons to avoid - Expensive option - Source: Internet
• If you own a full-frame Canon DSLR, this is Canon’s most ideal zoom lens for astrophotography. It may not be as wide-angle as the company’s EF 11-24mm f/4L USM, but it’s an all-important f-stop faster. The maximum viewing angle is admittedly slightly less than the 14mm and 15mm full-frame on this list, equating to 108 degrees compared with 114 or 110 degrees. - Source: Internet
• 1. Samyang XP 14mm f/2.4 The best prime lens for astrophotography on Canon and Nikon DSLRs Specifications Mount: Canon EF, Nikon F Full-frame compatible: Yes Autofocus: No Stabiliser: No Diaphragm blades: 9 Max angle of view (diagonal): 114 degrees (Full-frame) Dimensions (WxL): 87x106mm Weight: 791g Today’s Best Deals View at Amazon (opens in new tab) View at Amazon (opens in new tab) View at Amazon (opens in new tab) Reasons to buy + Generous viewing angle + Superb image quality + Good build and handling Reasons to avoid - Only for Canon and Nikon DSLRs - Source: Internet
• In 2019, Fujifilm debuted its widest lens yet, the Fujifilm 8-16mm f2.8 XF R LM WR Fujinon Lens. Its size and price tag put it firmly in the same camp as the pro optics; weighing more than 800g, when it’s paired with one of the larger cameras like the X-T3, this lens makes for a setup that calls the mirrorless reputation for lightness into question. Don’t get us wrong though, this is a fantastic lens, as we noted in our full review. - Source: Internet
• Centre-sharpness is excellent but corner-sharpness at the shortest focal length and widest aperture lags behind that of the Sigma zoom, more on a par with the Tamron. Vignetting and barrel distortion are rather worse than in both other lenses. Coma and astigmatism are controlled very well, again similar to the Tamron lens but not quite equaling the performance of the Sigma. - Source: Internet
• Aperture is how open or closed your lens shutter is. The wider it opens, the more light it lets in. Most night photographers prefer a lens that’s capable of f/2.8 or lower (wider). That will let in much more light compared to a kit lens with an f-stop of 4 or higher (narrower). - Source: Internet
• 2. Sigma 14-24mm f/2.8 DG HSM | A The best zoom lens for astrophotography with a DSLR Specifications Mount: Canon EF, Nikon F, Sigma Full-frame compatible: Yes Autofocus: Ring-type ultrasonic AF Stabiliser: No Diaphragm blades: 9 Max angle of view (diagonal): 114 degrees (Full-frame) Dimensions (WxL): 95x126mm Weight: 1,150g Today’s Best Deals View at Walmart (opens in new tab) View at Amazon (opens in new tab) View at Best Buy (opens in new tab) Reasons to buy + Focal length flexibility + Superb all-round image quality + Superb, weather-sealed build Reasons to avoid - Price higher than most - Source: Internet
• 5. Samyang 10mm f/2.8 ED AS NCS CS Using a crop-sensor camera? This is the lens for you, and it’s awesome value Specifications Mount: Canon EF-S, Canon EF-M, Nikon DX, Sony E, Sony A, Fujifilm X, MFT, Pentax K, Samsung NX Full-frame compatible: No Autofocus: No Stabiliser: No Diaphragm blades: 6 Max angle of view (diagonal): 106 degrees (APS-C) Dimensions (WxL): 76x98mm Weight: 590g Today’s Best Deals View at BHPhoto (opens in new tab) View at Amazon (opens in new tab) View at Amazon (opens in new tab) Reasons to buy + Precise manual focusing + Solid build quality + Great value Reasons to avoid - Average sharpness - Source: Internet
• Why a wide aperture? Well, at the risk of sounding obvious, you’re going to be working in the dark. Your sensor needs to be able to take in as much light as possible, but you also want to keep the ISO low so that the details of the night sky don’t get lost amid image noise. There’s plenty more to think about too, but to avoid going too long on this, we’ll leave it to our astrophotography tips (opens in new tab) and how-to guides (opens in new tab), where you can find all the astro advice you could need. - Source: Internet
• 4. Sigma 20mm F2 DG DN | C A Sony and L-mount lens with an impressive optical path Specifications Mount: Sony E, Leica L Full-frame compatible: Yes Autofocus: Stepping motor AF Stabiliser: No Diaphragm blades: 9 Max angle of view (diagonal): 95.5 degrees Dimensions (WxL): 70x72mm Weight: 370g Today’s Best Deals View at BHPhoto (opens in new tab) View at Adorama (opens in new tab) Check Amazon (opens in new tab) Reasons to buy + Metal-barrel construction + Excellent internal quality Reasons to avoid - Distortion requires correcting - Vignetting at wide apertures - Source: Internet
• This lens works well for Micro Four Thirds and APS-C format astrophotography, where the lack of autofocus isn’t really a drawback. It’s great value at the price. See our full Samyang 10mm f/2.8 ED AS NCS CS review (opens in new tab). - Source: Internet
• The best lenses for astrophotography are ideal tools for producing vivid, striking images of the stars and the night sky. It’s easy for photographers to be intimidated away from astrophotography, but the truth is that it’s easier than it looks, as long as you have the right gear. That means a sturdy tripod, a camera with a decent sized sensor, and critically, a sharp, wide-angle lens with a wide maximum aperture. - Source: Internet
• This is the widest lens in Sigma’s growing range of I-series primes for Sony E-mount and Leica L-mount, and it’s a solid choice for astro work. The optical path of the lens is particularly impressive, especially considering how small the lens is – 13 elements are somehow crammed in there, including three high-precision glass-molded aspherical elements, one SLD (Special Low Dispersion) element and one FLD (Fluorite Low Dispersion) element. Then there’s also Sigma’s Super Multi-Layer Coating and Nano Porous Coating. - Source: Internet
• In our review, we found we could produce images with this lens that were nothing short of outstanding. Even at the shortest focal length with the widest aperture, sharpness is excellent across the entire frame, and the lens does very well to retain excellent corner sharpness at wide apertures. Vignetting is remarkably minimal and though barrel distortion is prominent at close range, it’s negligible for astrophotography. Lateral and spherical aberrations are also very well controlled. - Source: Internet
• So, which lens to choose? Well, the decision will already be made to an extent by the camera you’re using, which is why we’ve divided this guide up into sections. First, we’ve listed our favourite astrophotography lenses that are available for multiple mounts, and then we’ve drilled down into specific sections for Canon, Nikon, Sony, Micro Four Thirds and Fujifilm. So whatever you’re shooting with, there should be an astro lens (or three) to suit you. - Source: Internet
• We found the focusing performance of the Canon RF 15-35mm f/2.8L IS USM to be brilliant in testing, with the lens enjoying a Nano Ultrasonic AF system for virtually silent focusing. Oh, and did we mention that stellar image quality? A brilliant lens, but it does come with a hefty price tag. - Source: Internet
• This is a pretty compact and lightweight lens for a wide-angle f/1.4, and boasts a really neat design and an everyday 62mm filter mount. The optical performance is stellar, even wide open, though there is already a 16mm f/1.4 in the Fujinon lens range, so it feels as if this lens is squeezing into a gap that isn’t quite there. - Source: Internet
• If you’ve got an EOS R5 or R6 and want to do astrophotography, this is the dedicated lens for you. It’s no surprise when you look at the focal range and maximum aperture available to find out that this is a big and heavy lens. It just about balances okay on one of Canon’s mirrorless cameras, but should be less of an issue for astrophotographers. A nice touch is the separate hood that means it’s possible to attach filters if desired via an 82mm filter thread, while there’s also built-in IS. - Source: Internet
• Boasting a diagonal coverage up to an incredible 122 degrees, while also delivering a fast and constant f/2.8 aperture, this combination makes it the world’s fastest lens in its class. There’s no getting away from the hefty price, but this is a lens that delivers supreme image quality, while the AF system is quick, smooth and quiet. Factor in the lovely handling and rock-solid build quality and this is a stunning lens. - Source: Internet
• As you might expect, Nikon went all guns blazing with the design of this lens to try and sway photographers to the Z mount. As such, the build, handling and image quality of this lens are all absolutely top-tier. Copiously weather-sealed, with scintillating sharpness, this is a lens for those who demand the best (and it comes with the kind of price tag you might expect). - Source: Internet
• A sophisticated optical construction ensures pin-sharp image quality, while it also has an extra f-stop over its nearest comparison point in the X stable, the 10-24mm (see below). It’s worth being aware that the lens lacks optical image stabilisation of any kind, and its wide front makes it incompatible with screw-in filters. Nevertheless, this is as wide as ultra-wide zooms get, with a full frame equivalent focal length of just 12mm at its widest setting! - Source: Internet
• You’ll also need to consider focal length, which is how zoomed-in the lens is. For the most part, night photography is all about capturing dramatic landscapes or the night sky. Since the subject is so big, you’ll need a lens with a short focal length to get everything inside the frame. - Source: Internet

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